Scapegoating: In Reply

(This post is a response to The Mosh Pit's post about censorship.)

I must wholeheartedly disagree with you, Garrett. I don't see censorship as a major concern in today's more tolerant, liberal society. The far more important issue is that of constant scapegoating of vaguely controversial media, like music, movies, and video games. However, even that is coming to a bit of a finality. Still though, it is far worse for fans of these media than censorship because the majority of censorship comes from this baseless blame.

See, the art of scapegoating is essentially a means of deflecting blame to someone/thing/where else. For example, rather than admit their fault in the shambles they called an economy, post-WWI Germans were eager to blame someone else. Hitler came forward, spouting off about the Jews' supposed control of the banks and all the world's money and claimed conspiracy. Thus, in the minds of common Germans, the concentration camps were at worst a neutral issue in their minds; an "out of site, out of mind" policy, if you will. Things have changed in Germany, but the example remains as relevant as ever.

Parents began straying from traditional punishment-based parenting around the 60's and 70's, in an effort to "not become their fathers". However, once is came to punishing their kids for ill behavior, they were unwilling to take necessary measures. Their unwillingness culminated during their children's teen years, when the lack of punishment for misdeeds resulted in children everywhere (in the U.S.) taking an attitude of "You can't punish me". Teachers everywhere lost faith in humanity, parents lost control of their kids, and politicians looked (like they commonly do) for a way to spin a negative into a positive. In comes, first, heavy metal.

What could be easier to blame than a music teaching kids to question the world as it is handed to them? "We're Not Gonna Take It". "You've Got Another Thing Comin'". The "KISS Army". These kids are obviously the scum of the Earth, and violate every human right known to man... right?

Except that they dont. In fact, they go with tradition: when your reality sucks, do what you can to positively alter it. History supports me on this, many times over. Being American (and not having ever taken a serious World History class [not my choice, by the way]) I think I'll use American History to support.

Reality: A king 3000 miles away is taxing the shit out of everything you buy, making arbitrary rules just because, and making YOU pay for wars you aren't fighting.
Alteration: Form your own country after fighting your American ass off for it.

Reality: Economic sinkhole just opened up and swallowed the world market.
Alteration: Join a growing war that we (thanks to an attack on our soil) have a stake in, convert factories and such at home into a war economy, make money, end war by using history's first true "Super-Weapon".

But, of course, the blame is on metal, simply because it talks about issues politicians would rather we were in the dark about. The music isn't aggressive, it's violent. The lyrics aren't political, they're anti-government. The appearance isn't about evoking a good fear in fans or about attracting attention to increase record sales, it's about worshiping Satan. Everything is twisted, everything is distorted, and everything about us is EVIL.

Video games come along and, with each generation of consoles becoming "more realistic", the blame shifts to them. Jack Thompson made his entire law career (which is over now) on fighting video games. Suddenly, in ten years time, games go from cute little hedgehogs and plumbers to unstoppable killing machines and psychotic serial killers. Suddenly, they aren't games anymore; there is no entaertainment value to them. Now, according to politicans, they are "murder simulators". They are "death trainers". Rather than provide a means of stress release in a controlled, implication-free environment, they teach that the real world is just as the game world- without law, order, or punishment.

In this Digital Age when an artist can attract an audience no matter how controversial their work, censorship is not the problem. Blaming real world problems on entertainment media instead of accepting that the true nature of these problems lies with how children are raised is the REAL issue.

I have a twitter Now.

Yeah. So, not much to this one... I have a Twitter now. check it out: www.twitter.com/thetompkins

Wisdom Teeth, Delta Blues, and Droogies

Okay, so for my first major surgery in 4 years, I have three (luckily not yet impacted) wisdom teeth removed today and well, it wasn't as bad as everyone seems to thing it is. I took some Valium about a half an hour before my appointment, and was drowsy on my on my way there (I was driven, don't worry). I got there, and the went through the mandatory "Are you nervous? Do you need me to numb where I'm gonna place the IV?" thing and went into the operating room. The last thing I remember was the nruse saying something to the effect of "You're going to start feeling more and more relaxed until yo-".

Out cold.

I wake up at home,mouth stuffed with gauze, with only a minor headache and an insatiable craving for Vanilla pudding. Thankfully, one of the foods you're allowed to eat is in fact soft pudding, so lucky me. I started watching American Psycho, and it is a spectacular movie in much the same vein as Metamorphosis, a novella we recently read in AP English. I finished it, and watched possibly my favorite dystopian future movie ever, A Clockwork Orange. An adaptation of Anthony Burgess' legendary cult novel, it is by far one of the most twisted movies ever. Hell, less than 30 minutes in, Burgess/Kubrick manage to work in two completely logical rape scenes (I say logical in the sense that they don't fee forced in any way). I recommend both movies it you like twisted storytelling at its finest.

One other thing I did do in preparation was to download some eerie music to accompany my downtime- namely Blue Oyster Cult, The Sword, and Robert Johnson, the most legendary bluesman ever. With only one known song stretching over 2:59, his 29 original recordings are must-haves for aspiring blues guitarists. In general his music is above anything I have ever heard in terms of feeling, soul, and that sense of "He poured his heart into this song" that accompanies blues like a shadow.

It's been about 14 hours since the surgery itself and, other than a dull ache in my lower jaw and one loose stitch end on my top left, I'm actually feeling back to fairly normal.

Gods of Metal, grant me a way of convincing my parents that going to two concerts in Louisville two school nights in a row is a good idea?

(Post- publish: I apologize for the numerous grammatical mistakes in my last post, but the sedative hadn't quite worn off yet.)